Previous studies of corporate environmental and social action identify exactly three similar patterns of activity. They provide divergent structural explanations for these patterns, as networks of institutional constraint, and networks of local inter-dependence, respectively. A theory of sociocultural viability, known in anthropology and policy science as Cultural Theory, explains that social systems consist of four patterns of social interaction, shaped by two distinct structural factors. Our own analysis of 45 items of environmental, social, and governance factors reconcile extant studies’ findings (...) with Cultural Theory’s expectations. Although earlier studies of corporate social action observed only three patterns of activity, our analysis uncovered the fourth, and that diverging structural explanations of earlier studies are partial and complementary, clarified by Cultural Theory. Our call for further study leverages the normative dimension of Cultural Theory, which specifies policy processes that privilege human decency over parochial preference functions. (shrink)

Paul Sagar's invigorating book is a reconsideration of Adam Smith in the sense that it challenges much that is received wisdom in current scholarship. First and foremost, it rejects the idea that Smith was preeminently a moral philosopher concerned with the threat to civic virtue posed by commercial society, and yet intent on giving commercial society a moral vindication nevertheless. Sagar—rightly, in my view—wants us to recognize Smith as having been a political thinker. Too much work on Smith still assumes (...) that there is not much to say about his political thought because he regarded all but the most minimal government as an obstacle to the proper functioning of markets. Smith is supposed to be a "classical... Read More. (shrink)

This summary account of Hume’s life and works challenges the usual way of telling the story of Hume’s career. It is generally believed that what Hume most wanted to be was a philosopher and that Hume turned to politics and history because that desire was frustrated, principally by the reputation for atheism he had acquired as a result of his writings on religion. The author argues that, from the beginning, Hume was as interested in politics as he was in philosophy; (...) that a career as an independent man of letters, and not as a professional philosopher, was what he most wanted; and that that career was a success, with the History of England its triumphant culmination. Hume’s religious skepticism was no obstacle to his living the life that he most wanted to live, the life of a sophisticated and widely respected citizen of the European republic of letters. (shrink)

In the early iterations of his political thought, The Elements of Law and De Cive, Hobbes proposed a new account of the nature of the people. In Section 2 I describe Pufendorf’s critical response. Pufendorf’s theory of the people is a neglected aspect of the political argument of the De Jure. Just as neglected is Locke’s theory of the people in Two Treatises of Government, though there is better reason for neglect in Locke’s case, in so far as he fails (...) in his major work of political philosophy to present anything resembling a theory of the people at all. In Section 3 I bring Locke’s thinking about the people into clearer focus. In the concluding Section 4 I explore some of the weaknesses of his position. (shrink)

James Beattie was appointed professor of moral philosophy and logic at Marischal College, Aberdeen, Scotland at the age of twenty-five. Though more fond of poetry than philosophy, he became part of the Scottish 'Common Sense' school of philosophy that included Thomas Reid and George Campbell. In 1770 Beattie published the work for which he is best known, An Essay on Truth, an abrasive attack on 'modern scepticism' in general, and on David Hume in particular, subsequently and despite Beattie's attack, (...) Scotland's most famous philosopher. The Essay was a great success, earning its author an honorary degree from Oxford and an audience with George III. Samuel Johnson declared in 1772 that 'We all love Beattie'. Hume, on the other hand, described the Essay as 'a horrible large lie in octavo', and dismissed its author as a 'bigotted silly Fellow'. Although Beattie is no match for Hume as a philosopher, the success of the Essay suggests that, unlike Hume, Beattie voices the characteristic assumptions, and anxieties, of his age. The first part of this selection—the first ever made from Beattie's prose writings—includes several key chapters from the Essay on Truth, along with extracts from all of Beattie's other works on moral philosophy. The topics treated include memory, the existence of God, the nature of virtue, and slavery. The second part of the selection is devoted to Beattie's contributions to literary criticism and aesthetics. Beattie's studies of poetry, music, taste, and the sublime are vital to the understanding of the literary culture out of which developed the early Romanticism of Wordsworth and Coleridge. (shrink)

Biologists, historians, lawyers, art historians, and literary critics all voice arguments in the critical dialogue about what constitutes evidence in research and scholarship. They examine not only the constitution and "blurring" of disciplinary boundaries, but also the configuration of the fact-evidence distinctions made in different disciplines and historical moments the relative function of such concepts as "self-evidence," "experience," "test," "testimony," and "textuality" in varied academic discourses and the way "rules of evidence" are themselves products of historical developments. The essays and (...) rejoinders are by Terry Castle, Lorraine Daston, Carlo Ginzburg, Ian Hacking, Mark Kelman, R. C. Lewontin, Pierre Vidal-Naquet, Mary Poovey, Donald Preziosi, Simon Schaffer, Joan W. Scott, Eve Kosofsky Sedgwick, and Barbara Herrnstein Smith. The critical responses are by Lauren Berlant, James Chandler, Jean Comaroff, Arnold I. Davidson, Harry D. harootunian, Elizabeth Helsinger, Thomas C. Holt, Francoise Meltzer, Robert J. Richards, Lawrence Rothfield, Joel Snyder, Cass R. Sunstein, and William Wimsatt. (shrink)

We think the present moment is a timely one for debating the relation between evidentiary protocols and academic disciplines. Since academic practices for constituting and deploying evidence tend to be discipline-specific, the much-discussed crisis of the disciplines in recent years has given rise to a series of controversies about the status of evidence in current modes of investigation and argument: deconstruction, gender studies, new historicism, cultural studies, new approaches to the history and philosophy of science, the critical legal studies movement, (...) and so on. Unfortunately, these controversies too often devolve into oversimplified debates about who has the evidence and who does not, who did their homework and who did not, or about the dangers of an ill-defined academic relativism. Attention needs to be better and otherwise directed: at the configuration of the fact-evidence distinction in different disciplines and historical moments, for example; or at the relative function of such notions as “self-evidence,” “experience,” “test,” “testimony,” and “textuality” in various academic discourses; or at the ways in which the invoked “rules of evidence” are themselves the products of historical developments, and themselves undergo redifferentiation and reformulation. James Chandler, professor of English at the University of Chicago, is the author of Wordsworth’s Second Nature . He is currently completing England in 1819, studies in and of romantic case history. Arnold I. Davidson, executive editor of Critical Inquiry, teaches philosophy and the history of science at the University of Chicago. He is currently working on the history of horror as it relates to the epistemology of norms and deviations and is editing a collection of essays on Heidegger, philosophy, and National Socialism. Harry Harootunian, a coeditor of Critical Inquiry and professor of history and East Asian languages and civilizations at the University of Chicago, is the author of Things Seen and Unseen: Discourse and Ideology in Tokigawa and editor, with Masao Miyoshi, of Postmodernism and Japan. (shrink)

Culture can be defined as “group typical behaviour patterns shared by members of a community that rely on socially learned and transmitted information”. Once thought to be a distinguishing characteristic of humans relative to other animals it is now generally accepted to exist more widely, with especially abundant evidence in non-human primates, cetaceans, and birds. More recently, cumulative cultural evolution has taken on this distinguishing role. CCE, it is argued, allows humans, uniquely, to ratchet up the complexity or efficiency of (...) cultural traits over time. This “ratchet effect” gives the capacity to accumulate beneficial modifications over time beyond the capacities of a single individual. Mesoudi and Thornton define a core set of criteria for identifying CCE in humans and non-human animals that places emphasis on some performance measure of traits increasing over time. They suggest this emphasis is also pertinent to cultural products in the aesthetic domain, but is this the case? Music, art and dance evolve over time, but can we say they gain beneficial modifications that increase their aesthetic value? Here we bring together perspectives from philosophy, musicology and biology to build a conceptual analysis of this question. We summarise current thinking on cumulative culture and aesthetics across fields to determine how aesthetic culture fits into the concept of CCE. We argue that this concept is problematic to reconcile with dominant views of aesthetics in philosophical analysis and struggles to characterise aesthetic cultures that evolve over time. We suggest that a tension arises from fundamental differences between cultural evolution in aesthetic and technological domains. Furthermore, this tension contributes to current debates between reconstructive and preservative theories of cultural evolution. (shrink)

This paper concerns the Russian émigrée translator and philosopher Natalie Duddington (1886–1972). By establishing Duddington’s dependence on Nicholas Lossky (1870–1965), the paper argues that Duddington formed a unique synthesis of Russian intuitivism and British realism in her essay ‘Our Knowledge of Other Minds’. Despite the historical significance of Duddington’s work, it will be concluded that her synthesis succumbs to the most recent criticism which has been posed against perceptualists such as Fred Dretske (1932–2013). Russian ‘intuitivism’ is understood here as the (...) school of thought that was first developed by Lossky and subsequently inherited by Duddington. ‘Perceptualism’ will be understood as the broad claim that we perceive the contents of another mind in an immediate way rather than infer them. (shrink)

One of the several good questions asked by Robin Mills in this short but rich book concerns the explanation of change in the intellectual climate of a particular time and place. In mid-seventeenth-...

Georges Florovsky’s essay ‘On the Grounding of Logical Relativism’ has attracted attention from various theologians and students of Russian thought but has until now avoided a serious philosophical analysis and critique. The complex but thought-provoking essay presents Florovsky’s so-called logical relativism, a position which he seemed to maintain for the rest of his career. This paper will show that by conflating ‘scientific’ with ‘alethic’ relativism, Florovsky exposed himself to detrimental philosophical and theological critique. After some methodological remarks, the first part (...) of the paper will introduce Florovsky’s article, and present its central argument as a scientific relativism which is then conflated with a truly logical or alethic relativism. The second and third parts will highlight the philosophical and theological problems with Florovsky’s position. (shrink)

This study examines the notion of antinomy, or unavoidable contradiction, in the work of Pavel Florensky. Many Russian philosophers of the Silver Age shared a common conviction which is yet to receive sufficient attention in critical literature, either in Russia or abroad. This is namely a philosophical and theological dependence on unavoidable contradiction, paradox, or antinomy. The history of antinomy and its Russian reception is introduced here before a new framework for understanding Russian antinomism is defended. This is namely the (...) anticipation of ‘vertical’ antinomies in ‘horizontal’ antinomies. Here, by ‘horizontal’ we suppose an unavoidable contradiction of reason or philosophical reflection, and by ‘vertical’ an unavoidable contradiction of revelation, faith, or a self-contradictory dogma. The study aims to demonstrate that Florensky fails to provide a satisfactory anticipation of vertical antinomies. (shrink)

The Essays on the Active Powers of Man was Thomas Reid's last major work. It was conceived as part of one large work, intended as a final synoptic statement of his philosophy. The first and larger part was published three years earlier as Essays on the Intellectual Powers of Man. These two works are united by Reid's basic philosophy of common sense, which sets out native principles by which the mind operates in both its intellectual and active aspects. The Active (...) Powers shows how these principles are involved in volition, action, and the ability to judge morally. Reid gives an original twist to a libertarian and realist tradition that was prominently represented in eighteenth-century British thought by such thinkers as Samuel Clarke and Richard Price. (shrink)